The best part of this show is how the ending song always starts just a bit ahead of the credits.
…is that I don’t give a SHIT about Violet Evergarden. After writing my last post on Sora yori mo Tooi Basho (which, by the way, has a stupid-as-hell English name so I’m going back to Japanese), I went and watched episode 5 of Violet Evergarden.
I had Violet Evergarden in mind as I was ranting about how Antarctic Girls is falling into the pattern of a “conflict-of-the-week,” and it’s pretty obvious why: it’s an episodic show with a microscopic overarching plot of Violet becoming human. I’m using “microscopic” because so far I haven’t been able to detect any meaningful change in our beloved robogirl. And while the conflict-of-the-week is sometimes interesting, everything revolves around KyoAni trying to make me feel sorry as I watch socially-inept Violet drawing pity as she takes off her gloves.
I don’t give a shit about this character. There’s nothing remotely appealing about a main character who has no emotions, and it’s even worse that every interaction and dialogue has to do with how she has no emotions. I could bear with it for the first few episodes, but now it’s just KyoAni flexing their animation skills and puking out a European Endless Eight where the only thing everybody talks about is how Nagato has no emotions.
Actually, Butsurigaku wa yasashisugiru desu is based on a romanticized view of physics research at a Japanese all-girls high school. I’m a physics researcher obsessed with Japanese culture, who wishes he were young and filled with dreams like back in high school.
So close enough.