{"id":3901,"date":"2009-12-30T16:01:47","date_gmt":"2009-12-31T00:01:47","guid":{"rendered":"http:\/\/mikoto.wordpress.com\/?p=3901"},"modified":"2009-12-30T16:01:47","modified_gmt":"2009-12-31T00:01:47","slug":"the-best-of-2009-part-2","status":"publish","type":"post","link":"http:\/\/flomu.net\/blog\/2009\/12\/the-best-of-2009-part-2\/","title":{"rendered":"The Best of 2009: Part 2"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Best female character<\/strong>: Mikoto Misaka<\/p>\n

Runners-up: Eureka, Nadeko Sengoku<\/p>\n

Need I say more about Mikoto? She is the goddess of the anime realm, and if you still haven\u2019t heard of her, shame on you. Also, L>super-duper rare special swimsuit figure of her. I have been searching for it since it came out, and not a single one has popped up on the internet yet.<\/p>\n

[Continued from Part 1<\/a>]<\/p>\n

I don’t know what I was thinking when I separated parts 2 and 3 and 4 and 5, so this post will have every award I can think of, including “Best Anime” at the end.<\/p>\n

Best OP<\/span><\/strong><\/h2>\n

Winner: “Tsukiakari no Michishirube<\/a><\/strong>” (Darker than Black: Ryuusei no Gemini)<\/strong><\/span><\/p>\n

Runners-up: “Renai Circulation<\/a>” (Bakemonogatari), “Ringo Mogire Beam!<\/a>” (Zan Sayonara, Zetsubou Sensei), “Toki wo Kizamu Uta<\/a>” (Clannad After Story)<\/span><\/p>\n

\"\"<\/a><\/span><\/p>\n

This was quite the competition, and I say that with no sarcasm in my voice. \u00a0I’m a huge OP fag, and I never skip over OPs when I’m watching anime.<\/p>\n

I really liked After Story’s OP that sometimes went off-beat (like in episode 16), but it was too repetitive and mellow. \u00a0[..not to mention it still featured useless characters like Kyou and Kotomi who don’t even appear in over half of the show.] \u00a0Renai Circulation was very, very, very, very moe and cute and kawaii and whatnot, but that animation was sub-par. \u00a0Especially when Nadeko walks towards the camera. \u00a0Ringo Mogire Beam… best Sayonara, Zetsubou Sensei OP I’ve seen( which is saying something), but “weirdness” wasn’t reason enough for me to pick it over Tsukiakari no Michishirube.<\/p>\n

DtB’s new OP is simply amazing. \u00a0The song isn’t anything great, and the animation is simple, but the combination of the two is astounding- I love watching the animation change on the off-beats of the song. \u00a0I also like how subtle Suou differing expressions are – there’s a shot of Suou in human form, then one with the signature contractor blank stare, and it just goes back and forth. \u00a0Oh, and the scene with Tanya and Suou’s other friends carries such a melancholy feel all throughout the series, and seems to carry even more weight after the events of the final episode.<\/p>\n

tl;dr mediocre song + average animation = epic OP<\/p>\n

Best ED<\/span><\/h2>\n

Winner: “<\/strong>futuristic imagination<\/strong><\/a>” (Eden of the East)<\/strong><\/p>\n

Runners-up: “Zetsubou Restaurant<\/a>” (Zan Sayonara, Zetsubou Sensei), “Honjitsu, Mankai Watashi Iro!<\/a>” (Hayate no Gotoku!!)”<\/p>\n

\"\"<\/a><\/p>\n

Whereas I had a really tough time choosing my top OP of the year, I had no problem with EDs.<\/p>\n

Futuristic imagination certainly shows up in “futuristic imagination.” \u00a0The animation is perfect and the song is great. \u00a0Though I don’t like the sudden stop of the music at the end, I can’t complain. \u00a0There was no competition here.<\/p>\n

Hina and the Zetsubou girls are cute. \u00a0They get second place.<\/p>\n

“Don’t Say Lazy” is overrated. \u00a0The song sucks. \u00a0The visuals suck. \u00a0I hate it. \u00a0The AV version of the ED is almost better than the original. \u00a0That’s how much it sucks.<\/p>\n

Best insert song<\/span><\/h2>\n

Winner: “<\/strong>Cruel Angel’s Thesis<\/strong><\/a>” (Hayate no Gotoku!!, sung by Hinagiku)<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Okay, I admit that this and K-ON!’s 15-second-long songs are the only insert songs I remember this year.<\/p>\n

But yeah, this was great. \u00a0One of the greatest songs ever made suddenly popped up in one of my favorite anime, and I was happy.<\/p>\n

Best OP Spinoff<\/span><\/h2>\n

Winner: “<\/strong>Gachimuchi! Boys<\/strong><\/a>” (K-ON)<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Okay, I admit that this was the only OP spinoff that I watched this year.<\/p>\n

But yeah, this was great. \u00a0Especially with the translated lyrics and knowing the “yaranaika” meme.<\/p>\n

Now that I’ve stretched out music awards long enough, let’s move on to some other stuff.<\/p>\n

Most unexpected moment\/biggest shock<\/span><\/h2>\n

Winner: The entire first episode of Eden of the East<\/strong><\/p>\n

Runners-up: Queen’s Blade (anything and everything about it), Darker than BLACK S2’s final episode<\/p>\n

\"\"<\/a><\/p>\n

I’m not sure what was more unexpected – seeing Takizawa naked or hearing “I need to see your Johnny” from the female cop. \u00a0In any case, Eden of the East’s usage of Johnnies (at first, anyway – it got really, really old later on) was more shocking than Queen’s Blade’s borderline hentai nature and Darker than BLACK S2’s intense, plot-twisting finale.<\/p>\n

The one word\/phrase I never want to hear again<\/span><\/h2>\n

Winner: “Johnny” (Eden of the East)<\/strong><\/p>\n

Runners-up: “Imo-chan!!” (Sora Kake Girl), “Kyon-kun, denwa” (Haruhi S2)<\/p>\n

\"\"<\/a><\/p>\n

This was a tight race. \u00a0Soaring Cake Girl and Endless Eight fought it out until the bitter end, but Eden of the East won with its utter lack of suitable synonyms. \u00a0Johnny this, Johhny that. \u00a0Is it supposed to be some kind of joke? \u00a0I haven’t even cracked a smile.<\/p>\n

Best comic relief<\/span><\/h2>\n

Winner: Tomoya’s tights explode (Clannad After Story)<\/strong><\/p>\n

\"\"<\/a><\/p>\n

In between two of the saddest episodes of anime ever made is one incredible filler episode with appearances by Kyou, Botan, and Fuuko. \u00a0The very best part of episode 20 of After Story is Fuuko’s comeback. \u00a0Tomoya can’t resist a pair of tights, and destroys the world!<\/p>\n

It’s so ridiculous, so Fuuko-like that it works. \u00a0And it completely breaks the melancholic feel, if only for it to come back stronger when Ushio falls ill at the end of the episode. \u00a0You can’t find a piece of comic relief better than this.<\/p>\n

Worst comic relief<\/span><\/h2>\n

Winner: Yoki describes his past (Fullmetal Alchemist: Brotherhood)<\/strong><\/p>\n

Runner-up: Anything from Fairy Tail<\/p>\n

\"\"<\/a><\/p>\n

I didn’t know what I was watching in Fairy Tail. \u00a0Was it an action show? \u00a0Or a comedy? \u00a0The comedy was so strong and so bad that it completely overpowered what little action there was. \u00a0“Jesus Christ,” I thought, “How can anything be worse than this?”<\/p>\n

And then I watched episode 38 of FMA: Brotherhood. \u00a0Oh my God. \u00a0I wish I could press backspace and never watch that episode. \u00a0Half of the episode was wasted on a stupid flashback which may or may not have anything to do with the overall plot. \u00a0Either way, I don’t really care because it was so terribly un-funny that I wanted to bash my computer screen.<\/p>\n

I thought the annoying recurring gag of Ed being short was bad enough, but I guess there’s no limit to terrible comedy.<\/p>\n

Most overrated<\/span><\/h2>\n

Winner: K-ON!<\/strong><\/p>\n

\"\"<\/a><\/p>\n

go away moeshit i dont like you<\/p>\n

Most underrated<\/span><\/h2>\n

Winner: GA – Geijutsuka Art Design Class<\/strong><\/p>\n

Runner-up: Eve no Jikan<\/p>\n

\"\"<\/a><\/p>\n

There is general agreement around the aniblogosphere that GA – GADC is a great show. \u00a0In fact, most have classified it as a great show.<\/p>\n

The only thing is, “general agreement” in this case means “around five people.” \u00a0Ayako was slow on subbing this great series (though with the constant, fast dialogue, I can’t blame them), so maybe that’s the reason, but this show has been the greatest sleeper hit of the year.<\/p>\n

2(Lucky Star (SOL comedy) + Moyashimon (informative) + K-ON! (moe done wrong) – “done wrong”) = GADC.<\/p>\n

Most deserving of another season<\/span><\/h2>\n

Winner: GA – Geijutsuka Art Design Class<\/strong><\/p>\n

Runners-up: Darker than BLACK, Sayonara, Zetsubou Sensei, Hayate no Gotoku<\/p>\n

\"\"<\/a><\/p>\n

Beating three famous series is, once again, GA!<\/p>\n

Though I’d like to see more Hei and Itoshiki, and though I’d like to see an actual ending to Hayate no Gotoku, GA takes priority. \u00a0The only major complaint I have with the art-based show is its length. \u00a012 episodes isn’t enough when you’ve got such a great SOL comedy going.<\/p>\n

Best Comedy<\/span><\/h2>\n

Winner: GA – Geijutsuka Art Design Class<\/strong><\/p>\n

Runners-up: Nyan Koi, Zan Sayonara, Zetsubou Sensei<\/p>\n

\"\"<\/a><\/p>\n

Was this really a surprise?<\/p>\n

Actually, it was for me. \u00a0I had originally planned to have Nyan Koi win, but after looking through my screenshots of GA, I concluded that GA beat Nyan Koi by a mile. \u00a0Most SOL comedies fail at making the viewer actually laugh. \u00a0Rather, they focus on making the comedy as relevant to the viewer’s life as possible. \u00a0GA does both. \u00a0I laughed a lot when I was watching GA, yet I could also relate to things like not using the white colored pencil (two screenshots above).<\/p>\n

Overall, though, this was a year weak in comedies. \u00a0Besides the three mentioned above, Maria+Holic (which I dropped), and the less-than-incredible second season of Hayate no Gotoku, 2009 had no good comedies. \u00a0K-ON! was crap, Asu no Yoichi was Full Metal Panic’s withered, sickly little brother and I didn’t even bother to finish any of the even weaker ones.<\/p>\n

Since my attention span is running low, I’m going to skip all of the unimportant awards and go straight to the last two.<\/p>\n

The one thing of 2009 we’ll remember in 20 years<\/span><\/h2>\n

aka “Most Memorable Moment(s)”<\/p>\n

Winner: Endless Eight (Haruhi S2)<\/strong><\/p>\n

\"\"<\/a><\/p>\n

We’ll forget about the greatness of GADC. \u00a0We won’t recall the failure of K-ON!. \u00a0“Johnny” will only be a name, and Darker than BLACK’s second season will fade away into obscurity.<\/p>\n

Endless Eight may have been one dumb decision, a great marketing technique, an enormous trollfest, or the biggest gamble in anime history, but one thing is clear: we’re going to remember it for a while. \u00a0KyoAni, you’ve outdone yourself.<\/p>\n

And finally,<\/p>\n

Best Anime<\/span><\/h2>\n

Winner: CLANNAD ~After Story~<\/strong><\/p>\n

Runner-up: GA – Geijutsuka Art Design Class<\/p>\n

Third place (tie): Hatsukoi Limited, Sora wo Kakeru Shoujo<\/p>\n

\"\"<\/a><\/p>\n

I’ll be honest: I think this year sucked for anime. \u00a0I hated almost all of the popular anime, and there weren’t very many good comedies (my favorite genre).<\/p>\n

But in the midst of this suckage, some truly great series emerged.<\/p>\n

Hatsukoi Limited achieved the perfect balance of Comedy and Romance for a RomCom, and didn’t let go of it. \u00a0It stayed true to its title and displayed some honest, “first love” interactions between the characters. \u00a0Sora wo Kakeru Shoujo grew from post-Code Geass hype and became something all its own. \u00a0It never achieved the “epic” feel of a typical mecha show, yet it never let go of its ridiculous roots, continuing to display creativity all the way until the very end.<\/p>\n

GA – GADC was the successor of Lucky Star, giving us the very greatest in slice-of-life comedy, yet at the same time mixing in the “art design class” element. \u00a0Hilariously informative, it fulfilled its SOL comedy role by getting close enough for the audience to relate, and it also managed to stay far away enough so that stereotypical SOL comedy elements wouldn’t reach it. \u00a0Most, if not all, jokes it spewed out in rapid-fire fashion were new or added a new twist to an old joke. \u00a0In a genre where jokes manage to overlap the boundaries of series, GA was a fresh new show that didn’t fail to deliver.<\/p>\n

\n

And finally, CLANNAD ~After Story~. \u00a0To classify this show as \u00a0just another romance would be dead wrong. \u00a0It’s a light-hearted romance that slowly, but surely becomes one of the greatest tragedies in anime. \u00a0Does anybody really LIKE Nagisa? \u00a0I doubt it. \u00a0Tomoya’s the reason people like this show. \u00a0We see his life go down the drain, go up a little, and then get washed into the sewers. \u00a0We can’t do anything about it, and neither can he.<\/p>\n

Why do I like this show? \u00a0Well, why do people like tragedies? \u00a0It’s because it’s cathartic. \u00a0We see the worst that can happen to somebody else and our own sorrows feel like nothing in comparison. \u00a0Thus wouldn’t the perfect tragedy also be the most tragic one, the one that we are most happy to have not gone through? \u00a0CLANNAD ~After Story~ achieves this. \u00a0It is tragedy at its most tragic. \u00a0We watched all of the first season, seeing Nagisa and Tomoya slowly bond together. \u00a0We watched 15 episodes of the second season, seeing their relationship advance and everything seems so… happy. \u00a0And finally, after over 15 hours of exposure to Tomoya’s happy life, we see it all fall apart.<\/p>\n

I’m not ashamed to say I cried my eyes out more than once at After Story.<\/p>\n

It’s the best anime this year, and the best tragedy there is.<\/p>\n

P.S.: fail ending is still fail, though.<\/p>\n","protected":false},"excerpt":{"rendered":"

Best female character: Mikoto Misaka Runners-up: Eureka, Nadeko Sengoku Need I say more about Mikoto? She is the goddess of the anime realm, and if you still haven\u2019t heard of her, shame on you. Also, L>super-duper rare special swimsuit figure of her. I have been searching for it since it came out, and not a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-3901","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2zM4X-10V","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/posts\/3901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/comments?post=3901"}],"version-history":[{"count":0,"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/posts\/3901\/revisions"}],"wp:attachment":[{"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/media?parent=3901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/categories?post=3901"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/flomu.net\/blog\/wp-json\/wp\/v2\/tags?post=3901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}